Curriculum Vitae
Education
| 1993 | Bard College, Annandale on the Hudson, NY, B.A. |
| 1998 | Yale University, New Haven, CT, M.F.A. |
Solo Exhibitions
| 2022 | SNAFU – Situation Normal All Fucked Up, No Moon LA, Los Angeles, California |
| 2016 | Anatomy, Kruger Gallery, Marfa, Texas |
| 2013 | Anatomy, Leslie Tonkonow Art Projects, New York, New York |
| 2011 | Carnal Knowledge, Blain/Southern, London, England |
| 2007 | Nine, Galerie Gabriel Rolt, Amsterdam, The Netherlands |
| 2006 | Nine, Greenberg Van Doren Gallery, New York |
| 2005 | Inland Empire, Maureen Paley, London, England |
| 2004 | McKinney Avenue Contemporary, Dallas, TX |
| 2003 | At Rest, Salon 94, New York, New York |
| 2001 | Maureen Paley / Interim Art, London, England |
| 2000 | The Photographers Gallery, London, England |
| Because I Was Flesh, Lawrence Rubin Greenberg Van Doren Fine Art, NY |
Group Exhibitions
| 2024 | Tendre est la nuit, NEO, 6 bis rue Lascaris, Nice, Côte d'Azur, October 22 - November 8 | |
| 2023 | Fulcrum Press “Muscle Memory” February 11 - March 18 | |
| Nude, Fotografiska Berlin, Germany, September 14, 2023 — January 8, 2024 | ||
| 2022 | Heavenly Bodies, Paris-Photo Grand Palais Ephémėre, Over The Influence Gallery | |
| Mother, Mason Exhibitions, Arlington, VA, March 25 – May 28, 2022 | ||
| Unsafe at Any Speed, Morton Street Partners, NYC, March 15 – May 8, 2022 | ||
| Works from the Permanent Collection, The Phillips Collection, Washington, D.C., Through May 2022 | ||
| Nude, Fotografiska, New York City, February - May 2022 | ||
| Nude, Fotografiska Stockholm, Sweden, September 2021 - January 2022 | ||
| 2021 | On the Basis of Art: 150 Years of Women, Yale Gallery of Art, September 10, 2021 - Jan 9, 2022 | |
| 2019 | American University Katzen Museum of Art in Washington, DC., Tony Podesta Collection, January - March 2019 | |
| 2018 | Mother, Leslie Tonkonow Gallery, New York, NY, September | |
| 5 FilmCorti Firenze Festival for “Romeo” Museum Le Murate Pacin, Florence, Italy, June | ||
| 2017 | A Partial Autobiography of an Art Gallery, Leslie Tonkonow Art Works + Projects, New York, NY | |
| 2016 | Desire, Gagosian Gallery and Deitch projects, curated by Diana Widmaier Picasso, Art Basel, Miami | |
| Scarlet Muse, Daniel Clooney Fine Art, New York, NY | ||
| Borrowed Light: Selections from the Jack Shear Collection The Tang Museum, Skidmore College, Saratoga Springs, New York, Through August 14, 2016 |
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| 2015 | Futuro Anteriore, Expo Chicago curated by Alfredo Cramerotti | |
| Small is Beautiful, Flowers Gallery, New York | ||
| 2014 | Small is Beautiful, Flowers Gallery, New York, November | |
| Fierce Creativity, curated by Chuck Close and Jessica Craig-Martin, Pace Gallery, New York, November | ||
| Photographs: Tracey Baran, Niki S. Lee, Malerie Marder, Laurel Nakadate Leslie Tonkonow Art Works + Projects, April |
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| 2013 | Everyday Epiphanies: Photography and Daily Life Since 1969 The Metropolitan Museum of Art, New York, June 25 - December |
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| Under My Skin, Flowers Gallery, New York, NY June 20 - July 27 | ||
| 2012 | Selling Sex, Showstudio London, England | |
| Home Is, Ercole Home curated by Massimo Audelio, New York, NY | ||
| The Importance of Being Photographed, USF Contemporary Art Museum, Tampa, Florida | ||
| 2011 | New Yorker Fiction/Real Photography Steven Kasher Gallery New York, NY | |
| 2010 | The Naked Face, National Gallery of Victoria, Melbourne, travelled (catalogue) | |
| Hessel Museum Collection, Annandale-on-Hudson, New York | ||
| 2007 | A New Reality: Black-and-White Photography in Contemporary Art, | |
| Thomas J. Walsh Art Gallery, travelled (catalogue) | ||
| 2007 | Eloi: Stumbling Toward Paradise, California Museum of Photography | |
| Shoot the Family, organized and circulated by ICI, New York. Curated by | ||
| Ralph Rugoff. Cranbrook Art Museum, travelled. | ||
| 2006 | Sight/Insight Contemporary Photography from the Heather and Tony Pedesta Collection, Concoran Gallery of Art, Washington DC (catalogue) | |
| Wrestle, The Hessel Museum, Bard College, Annandale-on-Hudson, NY | ||
| 2005 | The Kids Are Alright, Galerie Gabriel Rolt, Amsterdam, The Netherlands | |
| Remote Control, National Gallery of Victoria, Melbourne, Australia | ||
| 2004 | 2004 California Biennial, Orange County Museum, Newport Beach, CA | |
| Art as Autobiography, curated by Norman Dubrow, Rare Gallery, New York | ||
| 2003 | blackbox, Edinburgh College of Art in collaboration with The Edinburgh Film Festival, Edinburgh, Scotland | |
| 2002 | The Contemporary Art Project Collection, Seattle Art Museum, Seattle, WA | |
| The Norman Dubrow Biennial, Kagan Martos Gallery, New York, NY | ||
| Voyeur, Patrick De Brock Gallery, Knokke-le-Zoute, Belgium | ||
| 2001 | The Lightness of Being Unbearable, Sommer Contemporary Art, Israel | |
| Boomerang: Collectors Choice II, Exit Art, NY, curated by Meredith Verona | ||
| Casino 2001, Stedelijk Museum Voor Actuel Kunst Gent, Belgium | ||
| 2000 | Living Room, Chicago Project Room, Los Angeles, CA | |
| New Photography II, White Columns, NY | ||
| 1999 | Another Girl, Another Planet, Lawrence Rubin Greenberg Van Doren Fine Art, NY | |
Bibliography
| 2023 | Malerie Marder, THE OPÉRA, 2023 | ||||||
| 2022 | Malerie Marder, by Ellie Brown, NR Spring Summer | ||||||
| ”Exploring the Nude Through an Expansive Gaze”, Blind Magazine March 31 | |||||||
| 2020 | Best of The New Yorker | ||||||
| 2019 | Best of The New Yorker | ||||||
| 2018 | Malerie Marder, ”Untitled” from Romeo | ||||||
| Malerie Marder Anatomy, Carnal Knowledge, and Selected Works in Conversation with Holly Andres, Sedition Magazine | |||||||
| 2016 | Malerie Marder, This Long Century | ||||||
| Malerie Marder, “Anatomy and At Rest”, by Juliana Halpert, Daylight Magazine | |||||||
| Malerie Marder, “Daddy’s Girl”, by Jeremy Sigler, Tablet Magazine | |||||||
| 2015 | Malerie Marder, “Intimate Display”, Secret Behavior Issue 02: Family | ||||||
| 2014 | diCorcia, Philip-Lorca, “Malerie Marder – Carnal Knowledge,” Exit - Issue 53 Desnudos | Nudes, February – April | ||||||
| “Malerie Marder: Anatomy,” L’Oeil del la Photographie, January 10 | |||||||
| Wilson-Goldie, Kaelen, “Malerie Marder,” Artforum, February | |||||||
| “Malerie Marder,” Modern Painters, February | |||||||
| 2013 | “Malerie Marder,” The New Yorker, December 3 | ||||||
| Blanche, Andrea, “Malerie Marder: Time Off,” Musée Magazine, No. 6, Vol. 3, Summer | |||||||
| Brennan, Carolyn, “The Naked Truth,” Metal Magazine, Spring/Summer | |||||||
| Ebony, David, “Malerie Marder: Out of Her Comfort Zone,” Art in America, November 11 | |||||||
| Honigman, Ana Finel, “Critics’ Picks: Malerie Marder, Anatomy,” Artforum, December | |||||||
| Johnson, Ken, “Art in Review: Malerie Marder, Anatomy” The New York Times, November 15 | |||||||
| Laster, Paul, “Malerie Marder, Anatomy,” Time Out New York, November 21-27 | |||||||
| Ma, Julie, “First Look: Anatomy by Malerie Marder,” New York, November 1 | |||||||
| 2012 | “Malerie Marder: Holding the Release,” Parkett no. 90 | ||||||
| “Malerie Marder: On the Mise-En-Scene Of Her Work,” Acne Paper, issue # 13 | |||||||
| “Malerie Marder: B side,” Untitled Project, issue no. 4 | |||||||
| 2011 | “Malerie Marder: Carnal Knowledge”, CADOC.NL, Oct 3 | ||||||
| Alletti, Vince, Photograph Magazine, Sept/Oct | |||||||
| Thompson, Henrietta, “Carnal Knowledge by Malerie Marder,” Wallpaper, September | |||||||
| “Malerie Marder: Carnal Knowledge”, Pause Un Autre, September 8 | |||||||
| “Philip-Lorca diCorcia: Interview”, Purple, Fall/Winter | |||||||
| Finch, Charlie, “Malerie Marder: Labor of Love”, Artnet, May | |||||||
| “Bare Essentials, Malerie Marder,” Nowness, April 11 | |||||||
| Battersby, Matilda, “Malerie Marder: Carnal Knowledge,” The Independent, Apr 08 | |||||||
| “Malerie Marder,” AnOther Magazine, Spring/Summer | |||||||
| “Malerie Marder, Philip-Lorca diCorcia: A Conversation,” ArtReview, April | |||||||
| 2010 | “Malerie Marder: The story behind an artwork,” Modern Painters, November | ||||||
| “Malerie Marder, Purple Fashion,” Purple, fall-winter | |||||||
| 2009 | “Malerie Marder”, AnOther Magazine, February | ||||||
| “Malerie Marder, self-portrait” Art Review, December | |||||||
| Finch, Charlie, “Biennial For One,” Artnet Magazine, March 5 | |||||||
| “The New Sensuality,” Another Magazine, December | |||||||
| 2008 | “Malerie Marder,” AnOther Magazine, Winter | ||||||
| 2006 | O’Sullivan, Michael, “Gaining 'Insight' at Corcoran,” The Washington Post | ||||||
| Worth, Alexi, “Malerie Marder,” The New Yorker, September 25 | |||||||
| Time Out New York, August 31 | |||||||
| Finch, Charlie, “The World of Women,” Artnet Magazine, March | |||||||
| “Malerie Marder,” The New Yorker, September 11 | |||||||
| 2005 | Aletti, Vince, “Paradise Found,” The Village Voice, February 8 | ||||||
| Lack, Jessica, “Malerie Marder, London” The Guide, July 2-8 | |||||||
| Kent, Sarah, “Malerie Marder: Maureen Paley,” Time Out London, 7/13- 20 | |||||||
| 2004 | “The Ancient Queen of Sheba vs. Young California Hopefuls,” KCRW Arts and Culture Art Talk, October 20 | ||||||
| Knight, Christopher, “Biennial Arrives”, Los Angeles Times | |||||||
| Bourbon, Matthew, “Malerie Marder - Controlled Exposure,” NY Arts | |||||||
| 2003 | Kerr, Merrily, “Breaking Up Is Hard To Do: Girl Photographers Fight Back,” Flash Art, October | ||||||
| Johnson, Ken, “Art in Review” The New York Times, July 3 | |||||||
| Worth, Alexi, “Malerie Marder,” The New Yorker, March 10 | |||||||
| Finch, Charlie, “Life Gets Harder Says Malerie Marder,” Artnet Magazine, February | |||||||
| Schmerler, Sarah, “Sleeping Beauty,” TimeOut, New York, Feb 6-13 | |||||||
| McDevitt, Siobhan, “A Thousand Words,” Artforum, January | |||||||
| 2003 | “Welcome to the Townhouse” Vogue, November | ||||||
| 2002 | Aletti, Vince, “The Great Divide,” The Village Voice, March 5 | ||||||
| Saltz, Jerry, “Pudenda Agenda”, The Village Voice, April 5 | |||||||
| Torday, Daniel, “The Best and Brightest,” Esquire, December | |||||||
| Tuchman, Phyllis, “Variety Photoplays,” Art in America, June | |||||||
| Herbert, Martin, “Malerie Marder: Interim Art,” TimeOut, London, Jan 16 | |||||||
| Cosgrave, Bronwyn, “In Vogue 'natural touch',” Vogue, January | |||||||
| Cork, Richard, “Malerie Marder,” The Times, Play, January 5 | |||||||
| Pederson, Vicotria, “Malerie Marder's Naked Eye,” Art & Auction, January | |||||||
| 2001 | Carotenuto, Gianna, “Malerie Marder,” Tema Celeste, November | ||||||
| Schonauer, David, “The Hot Shots,” Worth, July – August | |||||||
| Johnson, Ken, “Art in Review: The Armory 2001,” The New York Times, February 23 | Vincent, Steven, “Alice in Levittown,” Art & Auction, February | ||||||
| 2000 | Kent, Sarah, “Critic’s Choice: Malerie Marder,” Time Out London | ||||||
| Aletti, Vince, “Voice Choices,” The Village Voice, June 13 | |||||||
| Aletti, Vince, “American Women,” The Village Voice, April 11 | |||||||
| Williams, Rynn, “The Art of Identity from the Women of Yale,” American Photo | |||||||
| Smith, Roberta, “Art in Review,” The New York Times, June 9 | |||||||
| Halle, Howard, “Malerie Marder: Because I Was Flesh,” Time Out, June 1-8 | |||||||
| Hayt, Elizabeth, “Seeking the Naked Truth” The New York Times, May 21 | |||||||
| Homes, A. M., “Hot Shots,” Harper’s Bazaar, February 2000 | |||||||
| 1999 | Siegel, Katy, “Openings: Malerie Marder,” ArtForum, October | ||||||
| Siegel, Katy, “Another Girl, Another Planet,” ArtForum, September | |||||||
| Henry, Max, “Another Girl Another Planet,” Flash Art, May- June | |||||||
| Sand, Michael, “Another Girl Another Planet,” Artnews, June | |||||||
| Johnson, Ken, “Art in Review” The New York Times, April 16 | |||||||
| Arning, Bill, “The Sisters From Another Planet,” Time Out, April 8 – 15 | |||||||
| Aletti, Vince, “Imitation of Life,” The Village Voice, April 6 | |||||||
| Aletti, Vince, “Decoy and Daydreamer,” The Village Voice September 21 | |||||||
| 1998 | Saltz, Jerry, “Naked and Famous - New Photography,” Time Out, July 30 | ||||||
| Johnson, Ken, “Art In Review: Naked and Famous,” The New York Times, July 10 | |||||||
Publications
- Nude, Fotografiska, curated by Johan Vikner and Thomas Friederich Schaefer, 2022
- Fierce Creativity, curated by Chuck Close and Jessica Craig-Martin (exhibition catalogue), Pace Gallery, 2014
- “The Distaff Side,” The Granary, curated by Melva Bucksbaum (exhibition catalogue), East Greenwich, Rhode Island 2014
- Malerie Marder: Anatomy, Twin Palms, 2013
- Malerie Marder: Carnal Knowledge, Violette Editions, 2011
- The Naked Face: Self-Portraits, exhibition catalogue, National Gallery of Victoria, 2011
- Auto Focus, Thames and Hudson, curated by Susan Bright 2010
- The Photographs Not Taken, Hol Art Books, curated by Will Steacy 2010
- Nine, exhibition catalogue, text by James Frey, Greenberg Van Doren, New York, NY 2006.
- Wrestle, exhibition catalogue, Hessel Museum, Annandale-on-Hudson, NY, 2006.
- Vitamin PH: New Perspectives in Photography, Phaidon 2006.
- Shoot the Family, exhibition catalogue, Cranbrook Art Museum, Michigan 2006.
- Remote Control, exhibition catalogue, National Gallery of Victoria, Melbourne, Australia, 2005.
- The Orange County Museum of Art’s 2004 California Biennial, exhibition catalogue, 2004.
- Curve: The Female Nude Now, Universe Press, New York, NY, 2003.
- Emotional Rescue: the Contemporary Art Project Collections,The Seattle Art Museum, WA
- Casino 2001: 1st Quadrennial of Contemporary Art, exhibition catalogue, S.M.A.K. / Gent, Belgium; 2001.
- Malerie Marder: Because I Was Flesh, exhibition catalogue, Lawrence Rubin Greenberg Van Doren Fine Art, NY; text by Bruce Wagner, 2000.
- Another Girl, Another Planet, exhibition catalogue, text by A.M. Homes, Lawrence Rubin Greenberg Van Doren Fine Art, New York, 1999.
- 25 and Under Photographers, edited by Alice Rose George, Norton & Company Inc., NY
Museum Collections
- Laguna Art Museum
- The Metropolitan Museum of Art, NY
- The Solomon R. Guggenheim Museum, NY
- Phillips Collection, Washington, DC
- The National Gallery of Art, Washington, DC
- American University Museum, Washington, DC
- Seattle Art Museum, Seattle, WA
- Hessel Museum of Art, Annandale on Hudson, NY
- The National Gallery of Victoria, Melbourne, Australia
- The Mint Museum, Charlotte, NC
- Yale University Art Gallery, New Haven
- The Norton Museum of Art, FL
- The Tang Museum, NY
Awards
- Peter S. Reed Foundation
- Schickle-Collingwood Prize Yale University
- The John Ferguson Weir Award Yale University
Teaching and Guest Lectures
- UCLA, Los Angeles, CA, visiting faculty, Fall 2000-Spring 2004
- Harvard University, Cambridge, MA, visiting lecturer, 2005
- Yale University, New Haven, CT, guest lecturer
- Otis College of Art and Design guest lecturer
- University of Arizona, The Center for Creative Photography
- School of The Art Institute of Chicago, Expo Dialogues, in conversation with Alfredo Cramerotti, guest lecturer
- Photo LA, Digressions on the Photographic Narrative, in conversation with Rebecca Lowry, guest lecturer
- California College of the Arts, Oakland, CA guest lecturer
- Center for Creative Photography, guest lecturer
- International Center for Photography, NYC, guest lecturer
